Typologies

Lace Planter 4

Diabla
Diabla
Lace Planter 4

The LACE Planter 4 is integrated into Yonoh’s futuristic collection, standing out for its functionality and Space Age design. This particular version offers, in addition to its groundbreaking aesthetic, a practical self-watering system. The robust rotationally molded polyethylene body contrasts beautifully with its light, lacquered tubular steel structure, achieving the unmistakable floating effect that characterizes LACE.

Ideal for landscaped areas in contract or residential spaces, this planter allows for the creation of compositions with high visual impact and is easily personalized with Diabla’s extensive color palette. LACE is an outdoor furniture proposal that fuses technical innovation with a bold aesthetic, demonstrating that functionality can be truly spectacular.

Diabla tips

The LACE Planter 4 is the most functional choice, as it seamlessly combines its futuristic design with a practical self-watering system.

It is ideal for contract landscaping projects that prioritize low maintenance without sacrificing an avant-garde aesthetic.

Its unmistakable floating effect and steel structure make it a robust and elegant element suitable for terraces and high-traffic areas.

Leverage the polyethylene’s resistance and its availability in Diabla’s wide color palette to create vibrant and daring contrasts in your outdoor environment.

Measurements
120x50x76 cm / 47x20x30 inch
Materials
Rotomoulded 100% recyclable polyethylene. Textured lacquered. Powder-coated stainless steel legs.
Awards
ADCV 2022 PLATA
Diabla
Designer

Yonoh Studio

Founded in 2006 by Clara del Portillo and Álex Selma, Yonoh is a multidisciplinary studio with a unique, elegant voice. Their work blends Scandinavian functionality with Mediterranean ingenuity and industrial rigor. A partnership with Diabla built on a pragmatic approach to create refined, honest design that moves away from the conventional.

“We understand design as a value proposition that improves quality of life. The seed is always a functional intention that we then transform into visual language, seeking the perfect balance between clear geometry, versatility, and honesty in the material.”

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